|
 |
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
Console
72-channel 9098i Amek/Neve,
fully automated, total recall
Recorders
- 48-track RADAR 24/96 Nyquist
- 48-track ProTools HD
- 16-Track MCI JH-24 2” Analog Multitrack
- Mike Spitz ATR-102 1” Analog Mix Down
- Masterlink
- Lavry Blue AD/DA 2-Chn Converter
Monitors/Amps
- ADAM S5A’s, tuned by Bob Hodas
- (5) Genelec 1032A for 5.1
- (1) Genelec 7071 Dual Sub
- (2) Bryston 8Bs (for guest monitors)
- (2) Yamaha NS-10S
Cue
- Furman HRM-16/HDS-16, 16-chnl, “more me” cue system
- Grace 901 Reference Headphone Pre-Amp
Microphones
- Brauner Klaus Heyne Edition VM-1
- Neumann U67 Stephan Paul .9 Micron
- AKG C-24 w/ Klaus 251 Mod
- Sony 800G
- Manley Reference Cardiod
- Soundfield SP422 Stereo Mic w/ Matrix
- (2) Coles 4038 Matched Pair Ribbon Mic
- (2) AEA R84 Matched Pair Ribbon Mic
- Royer 121 ribbon mic
- (2) Neumann TLM 103
- DPA 4011s
- (4) Sennheiser MD 421
- Sennheiser 441
- AKG D112
- AKG 451B
- (2) Shure SM81
- (4) Shure SM57
- Shure Beta52
- Shure SM-7
- (2)Audio Technica 4047
- Soundelux E-47
- Soundelux FETI7
- (2) Soundelux U-99
Mic Pre/DIS
- Buzz Audio MA 2.2
- FocusRite ISA 215
- (2) API 3124
- (4) Avalon U5 DI
Reverb/Effects
- Sony DRES 777
- TC6000
- Lexicon 480L
- Lexicon PCM 42
- Lexicon PCM 70
- Eventide Orville
- Roland Dimension D
- TC Electronic 2290
- SPL 4-channel Transient Designer
- Korg 2000
- Sansamp
- Aphex Type C
- (2) Behringer Edison
Compressors/Deessers
- GML 8900
- SSL G384
- Tubetech SMC 2B
- (2) EL8 Distressor
- Cranesong STC-8
- FocusRite Red 3
- UA LA2A
- UA LA3A
- 1176
- Neve 33609J
- (4) DBX 902 Deesser
EQ’s
- GML 8200
- Manley Massive Passive
Instruments/Amps
- DW Drum Kit
- (2) Alegra custom snare drums
- Yamaha 7’6” Grand Piano DC-7 Pro, Full MIDI
- Kurzweil 2600
- Korg Triton
- Yamaha Motif
- Fender Rhodes
- Roland V-Drums
- Fender VibraKing guitar amp
**Mesa, Matchless, Marshall, Ampeg available on request 
Video
- JVC CL 150 DILA Projector
- Stewart 7’ Grayhawk Screen
- Extron 8x4 Switcher
- RGB Spectrum Quadview Plus
- Allows any 4 inputs from HD to composite to live on the same screen in any configuration. See Control Room photo.
- AMX touch screen controlling all studio HVAC, Lights, and Video.
- Cannon Pan-Tilt-Zoom Cameras allow all rooms to be viewed from Control Room.
- *All mic panels include XLR, TRS, Composite Video, Alternate Cue, Midi, Remote Speaker, and RJ-45 networking throughout all rooms.
|
|
|
